Cover Reveal: Fresh Re-Imagining of Shakespeare’s The Tempest

On the Isle of Sound and Wonder is a driven, fantastical, lyrical retelling of William Shakespeare’s The Tempest set in a world just adjacent of our own.

People have been wondering what my “SUPER SECRET” project has been lately, and I’m proud to tell you all about it!

Five or so years ago, Alyson Grauer (Aly) came and stayed with me and my family. This was a fortuitous meeting for both of us, and it felt strange that two people could be so similar yet live thousands of miles apart. This was close to the same time her book On the Isle of Sound and Wonder would be released.

The beautiful book was released in 2014 to tumultuous applause, but with the passing of time has been slowly quieted by the ever drowning sea of books. This little book was all but forgotten until a small conversation this summer planted the seeds of a much bigger adventure.

After some simmering on the idea, Aly messaged me and said she was all in; she wanted her book to get new breath. We worked on it secretly trying to iron out details, giving smallish hints of the rumbles going on. When I spontaneously hopped on a plane to Florida to help her attack some of the critical steps in finalizing everything, I think people started to suspect something was up. Finally, we are in a place to share what we’ve been working on.

Several may recall that I received my publishing rights in January of this year, re-releasing my books under my own indie press. This experience taught me a lot, I mean A LOT, and helped me gain confidence that I can do about anything and ignited my desire to help others with all the things I had learned. On the Isle of Sound and Wonder is Shadesilk’s first adventure in Indie press from an author.

With the independent spirit in mind, I wanted Aly to retain as much integrity with her book as possible. Shadesilk was used as a guiding hand and a launch pad for this magical book to reach a new audience, and hopefully rebuild confidence and renew the beauty it once had.

I thought I would send Aly some questions to help you know more about her and this incredible book. Here are her heartfelt answers.

How do you feel about relaunching your book? 
I am so excited to bring this book back in a new way. On the one hand, it doesn’t feel like it was that long ago that it was first published, but on the other, so much has changed since then, and there were things I had taken for granted in my manuscript that I really, really wanted to change. I didn’t do a complete rewrite and overhaul of the novel, but I made some well-needed adjustments and I am so pleased with how it fit together. I can’t wait to share this stronger, updated version with the world.

What does this story mean to you? 
In many ways, Sound and Wonder was a surprise to me. I had the idea during National Novel Writing Month 2013 to do a rewrite or retelling of William Shakespeare’s The Tempest, and I kind of just let my imagination run wild with it. Then, in reworking and revising it for publication, I learned so many things about how complicated and challenging I had made it for myself in retrospect. I had never written anything like it: large cast, complex backstories, vengeance and dark magic and a lot of hard emotions woven throughout. Oh wait. Actually. The first long-form work I had ever drafted in high school was a historical fiction pirate story with a large cast, complex backstories, and vengeance charged with difficult emotions. No magic in that one, just a lot of cruel twists of fate. I’ve never realized this parallel before! 

What are some changes we can see in this version?
No spoilers, but there was a specific moment late in the story cut from the original version by editors that has been rightfully restored.
Also, what was I thinking, writing a 25 page prologue that was a flashback-within-a-flashback??? I’ve restructured the opening chapters more sensibly and smoothed out the distribution of flashbacks across the board. 

How has your writing changed over the years?
In the NaNoWriMo community people refer to ‘pantsers’ and ‘plotters’ – that is to say, people who write by the seat of their pants, and people who plot until they can’t anymore and then they start writing. For my whole life I was a pantser, and a lot of Sound and Wonder’s original drafts were pantsed, to a degree. But the thing I forgot was that I wasn’t truly pantsing — I was using Shakspeare’s dramatic structure from The Tempest to guide me. So I was pantsing-with-a-plot? It’s a mess in my head. 
Since the original release of this book, I have read much more widely in fantasy, science fiction, and speculative fiction, and done a lot more research on how other successful authors hone their crafts. I read a lot of Brandon Sanderson, too, which changed the way I viewed epic fantasy.

Oh, and I married a plotter. So I became one too, much to my chagrin. 

What projects are you most excited by?
I like stories that have high emotional value, stories that connect with people and move them – whether it’s drama or comedy, romance or mystery. I love a sense of wonder and whimsy – magic that isn’t quite what you think it is, or unusual, silly twists on traditional archetypes or tropes. I see things in cinematic scale, and sometimes I have a hard time giving myself permission to zoom in or zoom out to find the right balance for a story, but I love when the action, the feeling, and the characters all join together.

You can find Aly’s book for Pre-Order at the Shadesilk Webstore here! And follow all the @dreamstobecome media on Twitter and Instagram!

Adventures in Audio

I’ve been testing the waters in Audio Books

A few courageous years ago, I thought about performing my own audio books. It sounded like a lot of fun. Audio and voice recording is something I’ve dreamed about doing since I was little – probably since Gurgi in Black Cauldron, after I realized I could do cool things with my voice. 

When the opportunity came to create a studio in my home, this was just the push I needed to get into voice acting… right? I thought about starting a podcast, a vocal art studio, possibly composing the music for the intros, and really expanding my reach as an author. What a WONDERFUL dream. I currently hold all my audio rights for my series and I felt like this was a golden opportunity….

This was two (plus) years ago. And though I still have delusions of recording, different opportunities and challenges took precedence over my starring role as recording artist and composer.

But here is what happened to help branch my books into audio…

My grandmother, who is a personal hero of mine, is blind, Macular Degeneration, where the eyes just slowly lose vision. I fear this will eventually happen to me as well, something to look forward to, I suppose. She is currently in assisted living, but the crazy girl is teaching exercise (within reason) to the other residents. She’s spry and sharp, and a well of experiences. I don’t ever have the time to visit (I’m the worst offender out of all her grandchildren) and she wouldn’t be able to read my books anyway. Around her 95th birthday back in May, the thought came to me that I wished my grandmother knew my stories while she is still here.

Now was the time to get into audio.

A friend asked why I didn’t read Vampire-ish myself, with all my audio talk and whatnot. Very simply… well, I’m not a guy. I can’t even fake this on a good day. The thing about Oliver (Vampire-ish: A Hypochondriac’s Tale), it is told in first person narration. I needed a guy.

I looked into ACX and decided to give it a try. I went for halvies, profit share, and received a lot of incredible auditions, but none were right for Oliver. My main character needed a specific, youthful, yet slightly nerdy voice. All these deep baritones just wouldn’t work out. When I heard Ryan Jeanmaire, I knew immediately this was my Oliver. Ryan not only had the vocal sound I needed, but the comic timing required for the part, and it was a bonus that he studied acting and currently lives in New York City. I’m VERY excited to announce that Vampire-ish: A Hypochondriac’s Tale will be available in audio – Audible, iTunes, and Amazon – at the end of this month, July 31st. (link to come)

 

But, another incredible thing happened.

A few years ago, an author friend and someone I’ve mentioned before, probablyAlyson Grauer (Whimsy and ArtificeDreams To Become), talked casually about recording my books. She loved Vivatera and always wanted to do it, but at the time her life was circumnavigated by change and the timing wasn’t right. Last month, Aly contacted me and approach the subject of recording my books. My series is finished and this was a great chance to get all three done by the same person, and field into another arena of book lovers. A slot had opened in her artistic life to read my books, and I jumped at the opportunity for her to audition.

Salt Lake Comic Con 2015: Aly in the Steampunk cowgirl and me as Honey Lemon. You can tell it’s the end of the con. I was exhausted. Photo credit: Bryan Rasmussen, Chisledlight Photography

I have a lot of professional artistic working relationships, and working with friends, especially the dear ones, can be very delicate sometimes.

Here is some advice:

  • Always draft a contract
  • Follow the contract
  • Remember this phrase – “It’s Business.” (coined while editing the Blacksmith Series) Don’t take it personal, it’s business.

Aly sent me the Prologue and First Chapter for Vivatera and my jaw hit the floor. Unlike Oliver’s 1st person narrative, Vivatera is 3rd person limited view. It spines a vivid cast of characters, all across this world I created. Aly asked several questions about the characters before starting, comprehensive questions about region and dialect, audio samples and word pronunciations. We also audio chatted in :22-ish audio clips, just bouncing back and forth about specifics while I was in my car.

From what I have heard, this will be an audio experience. Aly is an actor, storyteller, a dialect coach, a creator, and for me, a very fortuitous friend to have in my life. Contract is drafted and I’ll have more details later.

I can’t wait to share this with my grandma, and all of you when it comes out. Stay tuned!

**If you are interesting following Aly and her projects, please click on her Patreon link here: Whimsy and Artifice

 

 

Book Review – Storm Front (Harry Dresden #1)

Last year at Salt Lake Comic Con 2015, I had the privilege of attending a panel with some talented authors like Terry Brooks, Jim Butcher, R.A. Salvatore and James Owens. And I was so excited to hear, with my own ears, what one of my writing influences, me being a small time author, had to say… that’s right… Terry Brooks!!!

Cool authors being cool. Jim Butcher is second in – Terry Brooks is at the end. Another cool author Aly Grauer at the end of the question line

 

But seeing Terry is cool, but what about these other authors? I knew of them, and I really liked what they had to say during the panel. I walked back on the con floor and saw the signing line wrap all the way down the aisle for this Jim Butcher guy. Of course, I’d HEARD of Harry Dresden, but figured it’s a guy read. Right? Probably a “Richard Castle” type of read that really doesn’t interest a fantasy girl like me.

A year past – A FULL YEAR – a very busy, hard year of writing, editing, and growing as an author. Finally, the moment I turned in the FINAL edit of my FINAL book in my fantasy series, I thought it was time to start reading again. But, oh, what a dry spell. I feel like I haven’t read in ages. The pile of books had grown so high I felt overwhelmed with where to start.

This is when friends and recommendations come in. An author friend of mine, Ben Ireland, listed Harry Dresden as one of his biggest influences. I knew this already, so when I asked him if he had recommendations for something to read, he nearly screamed, “READ HARRY DRESDEN!”

Okay, universe, I guess I should have listened last year, when my curiositystorm front piqued. So, I went into this blind, not really knowing anything about the stories, only with recommendations and word of mouth.

My answer to the universe, “I wish I would have read this sooner.”

“My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. I’m a wizard. I work out of an office in midtown Chicago. As far as I know, I’m the only openly practicing professional wizard in the country. You can find me in the yellow pages, under “Wizards.” Believe it or not, I’m the only one there. My ad looks like this:

HARRY DRESDEN — WIZARD
Lost Items Found. Paranormal Investigations.
Consulting. Advice. Reasonable Rates.
No Love Potions, Endless Purses, Parties, or Other Entertainment

You’d be surprised how many people call just to ask me if I’m serious.”
Jim Butcher (Storm Front (The Dresden Files, #1))

I must fall for wizards, because Harry Dresden is as bad-ass wizard as you can get. I’ve grown up with Potter, but I’m an adult now and I’m so glad I found Dresden.

Fiction for me needs to have elements of the fantastical. Take Harry Dresden – unabashed wizard, barely scraping by on solving unexplained cases for the Chicago Police. Me, a fan of Castle and Limitless, caught on rather quickly to the story’s energy and format. Intrigued by the supernatural quality and charmed by Dresden himself, I slowly found I was falling in love with this book. It’s witty, smart, visual, laugh out-loud funny, and an all-around great read.

But the thing I picked up the most, and this is the writer in me, is the wordplay in which Butcher used to explain the world and its characters. His eyes were the green of well-worn dollar bills. This line struck me, a clever wordplay and simple description that completely encapsulating everything I needed to know about this baddie. The language was fresh and easy, and the magic wrapped around me, sweeping me away in this fun nod to a detective noir.

Some of my favorite quotes:

“Tequila?” I asked him, skeptically. “Are you sure on that one? I thought the base for a love potion was supposed to be champagne.”
“Champagne, tequila, what’s the difference, so long as it’ll lower her inhibitions?” Bob said.
“Uh. I’m thinking it’s going to get us a, um, sleazier result.”

Just because you’re paranoid, it doesn’t mean there isn’t an invisible demon about to eat your face.

Santa is a much bigger and more powerful faery than Toot, and I don’t know his true name anyway. You’d never see me trying to nab Saint Nick in a magic circle even if I did. I don’t think anyone has stones that big.

This book is fun. Plain and simple. It was the little things that delighted me. The sweats and the cowboy boots, the situational comedy with the love potion and the demon and Harry not wearing a stitch, the beloved Toot Toot the fairy, and my favorite – naughty, inappropriate Bob the skull. This book did not pretend to be anything other than a good time. And, though I tend to lean toward YA, it was refreshing to read something Adult, something with legs and arms and confidence, something without angst, and to say this, something with a little spice.

Now I understand the line that wrapped around the aisle at Comic Con. I wished I would have paid more attention to Butcher’s advice.