On the Isle of Sound and Wonder
I will admit Steampunk intimidates me. I’m afraid of gadgetry and mechanization that is, basically, over my head. My imagination is so fanciful I need magic in my stories. So, I was slightly intimidated when I picked up On the Isle of Sound and Wonder. But I’m a sucker for covers and LOOK AT THE COVER!! I’m in AWE!
My fears quickly vanished. Grauer marries both magic and mechanics into an intelligent, well-crafted, seamless retelling of Shakespeare’s The Tempest. I was immediately drawn into a vivid world of mysterious voodoo magic, flying airships, and intellectual automatons, who if I can say this, reminding me a lot of adorable Baymax.
In comparing the Shakespearean work, Grauer’s love and understanding of the original text shines through with her careful crafting and storytelling. There is more intensity with both relationships, depth of characters, and heightened danger among the island that cannot be translated to the stage. As a novel, the back stories of several characters can come to light, which I really enjoyed and kept the action and story moving. She didn’t veer so far from the play that you wouldn’t recognize it, but highlighted its potential, pleasing the Shakespearean connoisseur in me.
Grauer’s clever play with names, places, and features complement the original text. Mira (modern Miranda) proved a strong interpretation of a growing young woman facing the harsh island life, and is a valiant example of a sacrificial heroine any girl could aspire to.
I had the delightful pleasure of meeting Alyson Grauer at Salt City Steamfest last July and she is just as colorful and lively as her book. I loved… LOVED this book!